This article mainly discussed why Shields chose to put out vinyl versions of Isn’t Anything and Loveless from digital sources. He again mentions the Beatles mono remasters and the effect they had on him and how Domino is a well-run company with the resources necessary despite being independent of any of the four or five major record companies that dominate the industry.
“I also did new cuts of it, Loveless and Isn’t Anything. And I did them… they’re from a digital file, it’s a 24bit/96 High Res thing with no compression. Just because with the analog thing I realized there is a certain limit to a certain frequency response phenomena.”

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